What is another word for exposures?

Pronunciation: [ɛkspˈə͡ʊʒəz] (IPA)

There are several synonyms for the word "exposures." Some common synonyms include "risks," "vulnerabilities," "hazards," "dangers," and "threats." These words describe the potential harm or negative consequences that can result from a particular situation or circumstance. "Exposures" may also be used to refer to the amount of time or degree of contact with a particular substance, such as sun exposure or chemical exposure. Other synonyms for "exposures" may include "experiences," "opportunities," or "occurrences," depending on the context in which the word is being used. Ultimately, the choice of synonym will depend on the specific meaning and usage of the word in the given sentence or phrase.

What are the paraphrases for Exposures?

Paraphrases are restatements of text or speech using different words and phrasing to convey the same meaning.
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What are the hypernyms for Exposures?

A hypernym is a word with a broad meaning that encompasses more specific words called hyponyms.

Usage examples for Exposures

But by photographing one of them two or three times on the same plate, with an interval of only a tenth of a second between exposures, Dr. Elkin has succeeded in showing, in a few cases, that their velocities varied from 20 to 25 miles per second, and must have been considerably greater than this before the meteors encountered the earth's atmosphere.
"A Text-Book of Astronomy"
George C. Comstock
There was an interval of twenty seconds between the first and the second exposures, and each time they looked at the cards for three seconds.
"Psychology and Social Sanity"
Hugo Münsterberg
Sometimes he saw double exposures, and sometimes a couple of pictures overlapped, but it didn't seem to make any difference, because none of the pictures meant anything anyhow.
"Out Like a Light"
Gordon Randall Garrett

Famous quotes with Exposures

  • The mad road, lonely, leading around the bend into the openings of space towards the horizon Wasatch snows promised us in the vision of the West, spine heights at the world's end, coast of blue Pacific starry night — nobone halfbanana moons sloping in the tangled night sky, the torments of great formations in mist, the huddled invisible insect in the car racing onwards, illuminate. — The raw cut, the drag, the butte, the star, the draw, the sunflower in the grass — orangebutted west lands of Arcadia, forlorn sands of the isolate earth, dewy exposures to infinity in black space, home of the rattlesnake and the gopher the level of the world, low and flat: the charging restless mute unvoiced road keening in a seizure of tarpaulin power into the route.
    Jack Kerouac
  • For as long as possible, the learned collegium has tried to defend its integrity against the close combat of ideologico-critical exposures. Do not unmask, lest you yourself be unmasked could be the unspoken rule. It is no accident that the great representatives of critique—the French moralists, the Encyclopedists, the socialists, and especially Heine, Marx, Nietzsche, and Freud—remain outsiders to the scholarly domain. In all of them there is a satirical, polemical component that can scarcely be hidden under the mask of scholarly respectability. These signals of a holy nonseriousness, which remains one of the sure indexes of truth, can be employed as signposts to the critique of cynical reason.
    Peter Sloterdijk
  • The photographer’s gesture as the search for a viewpoint onto a scene takes place within the possibilities offered by the apparatus. The photographer moves within specific categories of space and time regarding the scene: proximity and distance, bird- and worm’s-eye views, frontal- and side-views, short or long exposures, etc. The Gestalt of space–time surrounding the scene is prefigured for the photographer by the categories of his camera. These categories are an a priori for him. He must ‘decide’ within them: he must press the trigger.
    Vilem Flusser

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